|Title of the article||
GÖETE’S NOVEL «VILGELM МЕYSTER» AS A FABULY, LITERARY-AESTETIC AND PHILOSOPHICAL BASIS
Timashova Ol'ga Vladimirovna, Candidate of philological sciences, associate professor, sub-department of Russian literature and folklore, Institute of Phylology and Journalism, Saratov State University named after N. G. Chernyshevsky (83 Astrakhanskaya street, Saratov, Russia), email@example.com
Background. The aim of the piece is to start an empirical investigation of the asprcts of literary influence of Göete on the works of a Russian writer of the middle of XIX century A. Pisemsky (1821–1881) within the framework of his active years (1850–1881). For the first time a literary tradition connecting the subject matter, the main character and the aesthetic manifests of Pisemsky’s story “The Comic Actor” and the poetics and aesthetic program of Göete’s novel “Vilgelm Meister’s Scholar Years” is established. The problematic is enlarged due to journal and critical context: the interest of thick journals of 1840-1850 in general and the journal “Moskvityanin” in particular.
A. F. Pisemsky, Göete novel «Vilgelm Мeyster», story «The Comic Actor», Russian-Germany relations.
1. Pisemskiy A. F. Polnoe sobranie sochineniy [Complete works]. Saint Petersburg; Moscow: Izd-vo Tovarishchestva M. O. Vol'fa, 1895. The second posthumous edition., vol. 4.
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